Jones 1993
In AS, when using Adobe Photoshop to create my music magazine, I used the posterize tool, which gave a cartoon effect. This was the main manipulating effect I used on my image. However, I was not familiar with the tool so I used YouTube in order to research tutorials on how to use the tool correctly and creatively. To solve a problem in A2, I was a lot more confident to take risks and was not afraid of being wrong. For example, when editing my music video in iMovie, I did not know how to match the visuals to the kicks of the beat. By using my knowledge of the clip trimmer tool when editing clips, I opened up clip trimmer mode on my audio file and through a trial and error approach; I discovered the beat marker tool, which was activated through the ‘m’ key. It allowed the scenes in my music video to switch on the beat accurately. This experience showed that my progression has made me become more confident in not looking through tutorials, which can be time consuming, rather find a solution myself using the knowledge I am already familiar with.
Isaksen and Treffinger 1993
I had a clear indication in what I needed to contain in my music magazine in order to meet the conventions of a hip hop magazine. For example, using an image with the artist holding items that are considered to apart of hip hop culture, for example Louis Vuitton Evidence shades. This was used to create a brand identity for the artist and illustrate a genre for the magazine. I chose that specific hip hop item because it has been seen on different artists such as Lil Wayne, Drake and Soulja Boy. For my music video in A2, Intertextuality was seen throughout my video, for example when my artist is looking in the mirror, this indicates a nervous atmosphere which can be seen in the Marvin’s Room video by Drake, a hip hop artist. This worked perfectly seeing as my artist was the same genre. The progression is shown through the level of depth I interpreted parts of the Marvin’s Room video. I tried to create a similar scene with genre characteristics to attract an audience, for example looking directly in the mirror at himself applying Goodwin’s notion of looking theory but I interpreted the ideology of the Drake video by using simple clothing representing the dark, edging song and creating a brand identity for the artist.
Anthony Storr
I used an unsigned artist for both my music magazine and my music video. The fact that both artists were close to me, I had immediate communication with the artists and could discuss various aspects of the practical production of my music magazine in AS for example the artist had input in what items he wanted to wear in order to meet the conventions of hip hop culture. However, in A2 the artist did not have as much input because the had an excellent understanding and good knowledge of how to use the software and the conventions of creating a successful music video. The progression was that I had done more research into software in A2 than I had in AS because in the beginning I was unfamiliar with the Photoshop software then when it came to A2, I had done more research, I had been practising shooting and editing different films and short clips to understand the software more.
Bently 1997
I was influenced heavily in both my foundation and advanced portfolios. In AS, I created a music magazine which would have the conventions of hip hop culture, for example wearing designer brands, Ralph Lauren, Louis Vuitton. Also using a serif styled font, which appeared aesthetically appealing to the audience. I made my music video a performance based video, in that my artist was in a venue, performing his song on stage. The close up shots and over the shoulder shots were influenced by J Coles ‘In the morning’ because that was completely shot on stage during a concert. Even though my video was shot with no crowd, the ideology of J Coles video influenced me, the lighting and movement of the artist influenced me. It created a dark atmosphere and made the artist stand out with the contrast of the dark lighting and the light brown chinos of the artist.
Rule Breaking
Testing the boundaries of how far I could push my two portfolios was quite a challenge. However I think I was quite successful because in AS, I was able to use different manipulation effects in order to create a unique image that made it aesthetically appealing to the audience. For example, I used the posterize effect which was new to me. In A2 I used the motion blur effect when creating my music digipak. This was the main manipulation tool I used to create a moving image effect on my images because it referred to the title track ‘Keep It Moving’. I pushed the boundaries by keeping the effect consistent in all my images and even the text, to exaggerate the effect of moving.